workflow

Great Color : Equipment

Great Color - illustrated by Jon Beebe

Great color comes after investing in great equipment and after establishing a habitual workflow that you are willing to maintain.

A large part of BIG Images value to our customers is our predictable and repeatable processes. However, our process is only as good as the files that we recieve from our customers. And that’s where you come in. Responsibility for great color begins the moment an image is captured. That places quite a burden on our customers to maintain their own workflow for predictable color results. So I offer you these thoughts to help start you off towards a more consistent digital workflow.

First and foremost you have to count the costs. Great color comes after investing in great equipment and after establishing a habitual workflow that you are willing to maintain. While the current state of technology does not give us great color for free there are a few products that can really help… Read the full article...

Adobe RGB vs sRGB

Over the course of the next few months I will be writing about color, offering some insight into what BIG Images likes to see in computer files, and why. This month I am discussing the difference between two color spaces: Adobe RGB and sRGB.

Adobe RGB vs sRGB illustration by Benjamin Lawless

One of the most oft-debated topics I hear (and take part in) regarding color is which color space to use for images. Before I continue, let me just say that I do not intend to answer this question for all time, but I will offer you the opinion of a professional printer, and tell you why I believe as I do.

BIG Images prefers files in the Adobe RGB color space.


Keep in mind that BIG Images is all about getting the best possible print that technology can offer. To do this we need the best possible input into our workflow. Simply put — the more color you give us, the more we can print. This is why BIG Images prefers files in the Adobe RGB color space (there are a few exceptions, but those are beyond the scope of this article). Adobe RGB is simply larger than sRGB, allowing more color information to be stored in an image. To illustrate this I have included a visual comparison of Adobe RGB and sRGB. The white, outer shape, is Adobe RGB and the smaller shape inside it is sRGB. This demonstrates that Adobe RGB is physically larger and can capture more color information than sRGB… Read the full article...

The Tiff vs the PDF

In most sectors of the printing industry, Adobe's PDF file format is king. It deserves accolades, because for most applications, a PDF will reproduce art and text amazingly well while delivering a decent print-ready file in a relatively small file size. These features have made PDF a staple of the small format print industry. Although the PDF is great, BIG Images’ preferred file format for large format printing is the Tiff.
Tiff and PDF file formats boxing for supremacy in the Large Format Digital Arena

The benefits of the Tiff file format in the large format print industry are threefold:

  1. Financial Savings
    • Tiff files saved with LZW compression use anywhere from 50% to 99% less disk space than competing file formats
    • The time required to open & save a Tiff is less than that of a PDF or other competing file formats
    • The time & resources needed to transfer the file to BIG Images is reduced
  2. Time Savings
    • Faster processing time for both the customer and BIG Images equates to a faster turn around time
    • Smaller size is faster to open, close, and transfer via FTP or email
    • More predictable results mean fewer errors to chase, resulting in faster production time
  3. Better service and product from BIG Images
    • Elimination of common errors means faster production & fewer pre-press expenses. BIG Images can produce a better, more consistent product, faster.
Read the full article...